Michael Jinkins and Jeff Mead, two acclaimed artists with distinct styles and inspirations, are set to showcase their latest works, offering a glimpse into the diverse influences shaping their artistic journeys.

Michael Jinkins, drawing from a rich tapestry of artistic traditions, finds his principal inspiration in the American abstract expressionist movement, notably the works of luminaries such as Mark Rothko and Jackson Pollock. However, his oeuvre transcends conventional boundaries, incorporating elements of post-Impressionism and evoking echoes of J. M. W. Turner's majestic landscapes. Moreover, he draws inspiration from a diverse array of artistic mediums, including illustrations, cartoons, and traditional Chinese and Japanese painting. For Jinkins, painting is more than a creative pursuit; it is a spiritual practice, inviting viewers to engage in contemplation and immerse themselves in the profound mysteries of existence. Reflecting on his artistic philosophy, Jinkins remarked, "The more deeply I have inquired into the nature of ultimate reality, the more I have sought to create works of beauty upon which our eyes and our minds can rest."

Jeff Mead's artistic vision is equally distinctive, characterized by a profound reverence for nature and a commitment to sustainability. Mead specializes in crafting sculptural vessels from locally salvaged wood, with all materials sourced from trees felled by storms or requiring emergency removal. Embracing the imperfections and unique characteristics of each piece of wood, Mead allows the material itself to guide his creative process. The freshness and vitality of the green wood lend a dynamic quality to his creations, as the natural drying process imbues each piece with an organic elegance impossible to replicate through conventional methods. Mead's artistry celebrates the resilience and beauty of nature, transforming what some might perceive as flaws - such as knots, rot, and cracks - into the defining features of his work. Reflecting on his approach, Mead commented, "The wood must guide me; it cannot be forced. Thus, the 'defects' of these areas usually become the highlights of my work."